Analyzing
and
Understanding:
Poetic Devices
and
Focus Poems |
Poetry is a powerful way of expressing feelings and ideas. Poets
use a variety of devices to convey these feelings and ideas. One
of the greatest features of poetry is the possibility of alternative
interpretations. Analysis does not take the beauty or power away
from the poem. Instead, it helps the reader to better understand
the poem and appreciate the poet's craft.
First,
just read the poem. Always read according to the punctuation (if
there is any), not the line breaks. What is your first impression
of the poem? Does it tell a story or describe certain events? What
images do the words bring to your mind?
If
the poem is free verse, pay attention to the line
breaks. Is the author using line breaks to develop an interesting
double meaning or to create an effect?
Example
Identify
any poetic devices that are used in the poem. See the Poetic
Devices section below to familiarize yourself with these techniques.
See if any of the poetic devices help you determine the the poem
or part of the poem.
*Here
is an example of a Poem Analysis Paper
that I wrote in college. This is a two page excerpt from a paper
about American poet Gary Snyder and one of his poems, "Song
of the Taste". |
| Poetic
Devices
The
point of identifying poetic devices is to determine how they add
to or what they tell you about the meaning of the poem. For example,a
change in a pattern, like rhyme or meter,is a clue to the meaning
of the poem.
|aliteration
| allusion | archetype|
assonance | consonance
|couplet | hyperbole
| imagery | line breaks
|
|metaphor
|meter| neologism
| onomatopoeia| paradox
|personification | rhyme
| simile | stanza | |
|
ALITERATION
|
-
the repeating of consonants at the beginning of words.
Example
- Check out the first line of this poem
or any tongue twister!
|
|
ALLUSION |
-
a reference to a mythological situation or character or to another
piece of literature.
Example
- In Robert Browning's "My Last Duchess" (toward the
very end) the speaker says "Notice Neptune, though, Taming
a sea-horse...", refering to the sea god.
|
| ARCHETYPE |
-
an image or symbol which is psychologically inherent to our imaginations.
They recur in a civilization's mythology and thus are important to
poetry. For example, rivers as symbols of time, floods as symbols
of rebirth, Snakes as symbols of evil, Dragons as symbols of evil
or luck, and the phoenix as a symbol of death and rebirth
|
| ASSONANCE |
-
the repeating of a specific vowel sound or group of vowel sounds
throughout a poem, but not the consonants following them.
Example
- "Eldorado" Look for the "o" sound in particular.'devices
top
|
| CONSONANCE |
-
the repeating of specific consonant sounds after different vowel sounds.
(see assonance)
Example - "The Silken Tent" by Robert Frost has many repeated
"s" sounds
( "as in guys she gently sways at ease")
|
| COUPLET |
-
a pair of lines whose end words rhyme
Example
-
"Eenie Meenie Miny Moe,
Catch a tiger by his toe."
|
| HYBERBOLE |
-
an exaggeration of the truth.
Example-"The Daffodils" by William Wordsworth
|
| IMAGERY |
-
the use of description to create an image in the mind of the reader
Example
- Dylan Thomas' "Fern Hill"
devices
top |
| LINE
BREAKS |
- where
the poet chooses to end one line and begin another, especially used
in free verse.
Example
- "This is just to Say"
|
| METAPHOR |
-
an association of two completely different objects as being the
same thing. Distinguishes itself from simile by not using "like"
or "as". Considered a powerful form of communication because it
disregards logic. (ie. an object can not be something else and be
itself at the same time.)
Example- "Blight" Edna St. Vincent Millay equates fostering hatred in her heart to
planting a garden.
|
| METER |
-
a device used to measure poetry. The unit used is the metric "foot".
The number of feet determines the metre of the poem. Four feet per
line is called tetrametre, five feet pentametre, six feet sextametre
etc. A "foot" is determined by a series of stressed and unstressed
syllables. Further
Explanation |
| NEOLOGISM
|
-
to make up a word or give a new meaning to an old word.
Example-"Jabberwocky"
devices
top
|
| ONOMATOPEIA |
-
the use of a word to indicate a sound. Examples are words like hiss,
splash, bong, clack, splat, swish, etc.
|
| PARADOX |
-
a statement which appears to contradict itself which may, in fact,
be true.
Example:
One short sleep past, we wake eternally, And Death shall be no more;
Death, thou shalt die. (from "Death Be Not Proud" by John Donne)
|
| Personification |
-
using the qualities of a person to describe an inanimate object
"Suicide's
Note"
The
calm, cool face of the river
Asked me for a kiss.
-Langston
Hughes
devices
top |
| RHYME |
-
the associating of two words in a poem through the way they sound.
Rhyme usually occurs at the end of a line in a poem, but it is not
restricted in that way necessarily.There
are many kinds of rhyme:
True
Rhyme - two words whose last syllables sound the same.
Example
- "Nothing Gold Can Stay"
Assonant
Rhyme - the rhyming of vowels only. Rather popular in prose
poetry since it is often hard to recognize. Also effective in internal
rhyme.
Example - He was at Naples writing letters home And, between his
letters, reading paragraphs On the sublime. Vesuvius had groaned
For a month. ( ... ) (from "Esthetique du Mal" by Wallace Stevens)
("home" and "groaned" rhyme assonantly)
Consonant
Rhyme - the rhyming on consonants only. Often used as a deviation
from "true" rhyme in a lyrical poem.
Example- But Antichrist got down from the Barbary beast And doffed
his plume in courteous prostration; Christ left his jennet's back
in deprecation And raised him, his own hand about the waist. (from
"Armageddon" by John Crowe Ransom) ("beast" and "waist" rhyme consonantly.)
Sight
Rhyme - words that are spelled similarly, but do not rhyme.
(sight rhymes are frequently also assonant or consonant rhymes)
Example- I cut the tree, envious, Self concious of my height, And
was crushed under the weight Of its branches. (from "Tree" by Ryan
Deschamps)
Internal
Rhyme - when a word in the middle of a line rhymes with the
word at the end of the line
Example
devices
top
|
| SIMILE
|
-
a comparison of two completely different objects using "like" or
"as". Not generally considered as powerful as Metaphor since it
does not defy logic. (see METAPHOR)
Example
(first line)
|
| STANZA |
-
a set of lines in a poem, separated from other stanzas with an empty
line
This Example
has Four stanzas.
|
|aliteration
| allusion | archetype|
assonance | consonance
|couplet | hyperbole
| imagery | line breaks
|
metaphor |meter| neologism
| onomatopoeia| paradox
|personification | rhyme
| simile | stanza |Devices
TOP |
| Focus
Poems |
Write
an analysis of each of the following poems. First, read the poems.
Then,
write at least a paragraph about the poem's literal and figurative
meanings. Finally, identify the poetic devices used in the poem
and explain how they influence or add to the meaning of the poem.
"My Last Duchess" by Robert Browning
"How Do I Love Thee?" by Elizabeth Barrett Browning
"Daffodils" by William Wordsworth
"She Walks in Beauty" by Lord Byron
"Ulysses" by Alfred, Lord Tennyson
"To His Coy Mistress" by Andrew Marvell
"To Autumn" by John Keats
Poem analyses are due at the beginning of class on May 17th.
|
| Writing |
There
are many ways to write a poem; inspiration can be found anywhere.
The important thing to remember about writing poetry is that it
doesn't have to be clear, with an obvious meaning. You can do more
with poetry than with prose; your work can mean different things
to different readers.
Another
important thing about any type of writing is the drafting process.
After you write one poem, even if you love it the way it is, you
should rewrite it. In your revision you can rearrange words or lines,
try a new perspective, or implement a poetic device you hadn't tried.
Always keep your drafts. You never know when you might want them.
If
you've been working on a poem for a long time and feel stuck, put
the poem away for awhile. Sometimes writers need distance from their
work. You may be stuck, but later, when you're out mowing the lawn,
inspiration will strike!
Here
are some poetry writing exercises to help you get started! |
| Poetry
Writing Exercises
| cut
out | phone # | art
| couplet | 3 stanza
| story | memory | simile
| made up | coversation
| It's not fair | found
|meter |TOP |
| Cut
Out Word Poem |
Begin
by cutting words out of newspapers and magazines. The more unique
the words are, the better. When you have a substantial collection
of words, spread them out on a blank piece of paper. Have another
piece of paper ready to write the poem on. Arrange the words on
the blank piece of paper. You don't have to use all of them, and
you can add your own "connector" words to complete your
ideas. When you have a draft of a poem, write it on the other piece
of paper. Don't worry if your poem seems vague or confusing. It's
okay, that's the beauty of poetry! It is often the later drafts
of this poem that are the best.
This exercise is often more effective if done with the help of a
partner or a teacher (to cut out words for you). It is very similar
to magnetic poetry kits that you can purchase.
|
| Phone
Number Poem |
This
exercise can be a lot of fun. Pick a phone number that has significance
for you and write it down. Use the number for your title. Your poem
will have as many lines as your phone number has numbers. Each line
will have the number of syllables as the number it corresponds with.
For example, if you use 426-3213, the first line will have four
syllables, the second line will have two, the third will have six,
and so on.
The contents of the poem should relate to the phone number you chose.
Phone Number Poem Example
|
| Art
Poem |
Find
a work of art that you admire or find interesting. Write a poem
about the artwork.
-You could write about the artist: what (s)he was thinking or doing,
why (s)he created it, or what the artist thought of his/her own
work.
OR
- You could write about the art: what it looks like, something it
reminds you of, how it makes you feel, or what might be going on
around it.
|
| Couplet
Poem |
Write
a poem that is made up of at least ten couplets.
Try to be original with your rhymes. Sometimes it helps to try a
rhyming site like RhymeZone.
|
| Three
Stanza Poem |
Attention:
To make this exercise effective, please complete one step at a time.
Step
One: To begin writing this poem you will need a collection of various
items to look at. You could either have a teacher or a partner gather
items for you, or you could use a more natural collection of items
in your bedroom, for example. Pick one item and write a stanza
of poetry about it.
Step Two: Next, choose a person, either one of your parents or a
person who is like a parent to you. Write a stanza about this person.
Try to find something specific about this person to write about.
Use details.
Step Three: Then, write a stanza about yourself. (This is difficult
for many people!)
Step
Four: Find a title for your poem that somehow ties all three stanzas
together.
|
| Story
Poem |
Write
a poem that tells a story. Often it is easier if it is about something
that actually happened to you. Epic poems are very long poems that
tell an entire story. One famous example of an epic poem is Homer's
Odessey. Don't worry, your story poem doesn't have to be
hundreds of pages long!
|
| Memory
Poem |
Take
a piece of paper and write the words sight, smell, touch, hearing,
and taste on it, leaving plenty of space between each word. Then
pick a memory to write about. It can be anything, as long as you
remember it vividly and it has some importance to you.
Now think of the memory. What do you see? Write down words or phrases
that describe what you are seeing under "sight".What do
you smell? Write down words or phrases that describe what you are
smelling under "smell". What did you touch? Write down
words or phrases that describe what you feel under "touch".
What do you hear? Write down words or phrases that describe what
you are hearing under "hearing". Finally, what do you
taste? Write down words or phrases that describe what you are tasting
under "taste".
Now, on a separate piece of paper, combine the words and phrases
from the five senses list to create a poem about the memory.
|
| Simile
Poem |
Write
a poem that contains three similes. It sounds easy, but you have to
decide if all the similes will describe the same thing or three different
things. Sometimes it is difficult to describe one thing three different
ways. However, If you choose three different things, you must find
a topic under which to combine them. |
| Made
Up Word Poem |
First,
read "Jabberwocky",
by Lewis Caroll. Then write a poem using words that you invent.
Your invented words should convey some meaning, either by the way
they are used or the way they sound. One method of creating words
is to combine two words.
|
| Conversation
Poem |
Before
you write this poem, you should decide who the people are who are
having the conversation. Pick two distinct personalities and put them
in a situation. Write a short description of each person and the situation,
including their relationship to each other. Now, write the poem. What
are these people going to say to each other? You can use "he
said" and "she
said", or you can differentiate the speakers with empty lines
between their words. EXAMPLE
of Conversation Poem |
| It's
Not Fair Poem |
The
title of the poem should be "It's Not Fair". Write about
anything that you feel is unfair. This usually is not difficult for
teenagers! |
| Found
Poem |
When
you write a found poem, you take words, phrases, and even sentences
that you find and combine them creatively to make a poem. You can
find these fragments on signs, in books or magazines, anywhere!
EXAMPLE of
Found Poem
|
| Meter
Poem |
For
this exercise, you need to use a poem that you have already written.
Rearrange
or rewrite the poem so that it has a specific meter.
|
|
cut out | phone # | art
| couplet | 3 stanza
| story | memory | simile
| made up | coversation
| It's not fair | found
|meter | Exercises TOP |
| Resources
and
Information |
Helpful
links
Writing
- Drafting
|